Aníbal Ortega Barrera
Journalist
For those who have been lucky, perhaps if the wrong (which is not very important) - to access the formidable Roberto Bolaño's prose, we can not be strange that the English translations of several of his books, particularly of The Savage Detectives "are succeeding now in the literary world undemanding not U.S. A.
is already a truism that translation is betrayal, a theme that would require extensive linguistic semiotic analysis (which exceeds the purpose of this review). But we can say it is plausible the hypothesis that Bolaño's prose offers no greater risk of translation into any language by its pace and its omnipresent lyrical and lush metaphors (Could it be that the metaphorical is usually easy transition from one language to another ?).
The narrative style of By Night in Chile, the feverish and tormented monologue of a priest of Opus Dei, which is none other than the revered José Miguel Ibáñez Langlois, (a) Ignacio Valente presents a fascinating and frightening pace, and time, is the description of the hard great anathema to the seemingly invincible figure of the priest and literary critic. Anathema is presented Bolaño as self-inflicted.
Night in Chile is, moreover, an almost innocent of immense cultural background of the writer, a sort of priest of the literature. In this perspective, the short novel contains a lot of confrontation between religion founded on a divine creator and the religion of literary creators (required opponents of God.) In this direction, it is pertinent to recall the title of The Savage Detectives:
- Do you want the salvation of Mexico? Want
Christ is our king
We believe that the prose Bolaño is (religiously) designed to shake the current panorama of Chilean and English-speaking literature. And we think that Night in Chile allegorizes so formidable that has been the cyclical and tumultuous life of our country.